Which one of us did not, as a child, desire to be able to fly, at lest for a little while? Which one of us did not, as a child, want for things that surround him to speak to him? Which one of us did not want to enter a fairytale land in which our rules are only partially valid? Zhuo Fan can do this. In this respect, he is a bit of an artist-magician, artist-experimentator, tirelessly testing the limits. I do not know all his teachers, but despite the gaping chasm of centuries, I intuitively feel his connection with Leonardo da Vinci, constructor of many different machines and instruments and architect. Zhuo Fan is also playing around with his artistic ambitions. The world of his fantasies seems to be without any boundaries.
孩提时代，谁不曾渴望翱翔天际，哪怕只是短暂片刻？孩提时代，谁不曾幻想，与周围物体谈天说地？谁又不曾梦想，有朝一日踏进不拘于现实法则的童话乐土？卓凡可令这一切成真。从这个意义上来说，他既是艺术家，也是魔术师，作为艺术领域的实验者，他永不倦怠地尝试着超越极限。我虽不了解他师从何处，姑且不论时光变迁，只是直觉般感受到他与机械，装置和建筑的伟大构造者列奥纳多达芬奇之间的特殊关联。卓凡亦以一颗艺术家的雄心不断地追寻。他的想象力之宽广，好似没有边界。

Zhuo Fan uproots things, turns them upside down, breathes life into them and then shows them to an unbelieving public. He disrupts stereotypes, laughs at human pettiness and narrow-minded certainty. He does all of this without any pretensions, almost as a matter of fact, as if there was nothing more natural than an excavator not digging up soil, not knocking down buildings but instead, writing. From destruction to construction. Zhuo Fan, let’s be honest – with the help of his brother zhuoli, taught the excavator to write Chinese calligraphy! The hidden line is the perfection of the human mechanical function transferred to machines and then transformed back into the world of men. The mirror offers a mirror image that does reflect the reality fully, but only its main outlines. The result is spellbinding. The threshold of the possible is moved. The dynamics of his invention constantly propels Zhuo Fan ahead. The exciting question sneaks: which summit will be scaled next, which logical assumption of today will be put into doubt, which further dramatic confrontation of reality with the imagination of Zhuo Fan will we be able to experience and how many beautiful new sensations will arise from this imaginary battle? My immodest wish is that the answer is “as many as possible”.
卓凡致力于颠覆旧有理念，通过扭转事物常态，为其重新注入生命活力，使之在众人惊异的眼光中耀目登场。他不断破除陈规陋习，藐视狭隘迂腐之见。他以质朴率真的手法，竟如此自然的，令开凿拆除之用的挖掘机拥有书写的能力。从解构到建造，卓凡，坦率来讲，在其兄长卓立的协助下，赋予挖掘机演绎中国书法的本领！他完美地将人体动作传递至机械本身，能量又转化反馈至人类世界。在卓凡制造的魔镜里，事实一一显露，却又扑朔迷离。结局是如此令人着迷。极限又再度被轻松跨越。驱使卓凡前进不息的，便是这富有动力的创造发明。至此，一个激动人心的问题再度被提及：下一次的尝试将抵达何其高度？那些在今天看来富有逻辑的假设，有多少即将被质疑？介乎事实与想象间的戏剧性碰撞，哪一种是卓凡接下来将要诠释的？这样一场想象中的对峙，将引来怎样美妙的轰动效应？我并不谦虚地希望得到“尽可能多的”答案。